Rory Salter
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Performance at 'Oscillation ::: The Weather' Festival 2025 organised by q-o2 in Brussels 

The performance took place in Jean-Felix Hap Park, over a period of 3 hours, using experimental field methods and a series of actions involving live amplification, pencil and paper. The work explores the interplay between labour, cræft, performance and improvisation in field recording, it questions the importance of pressing record.

photos by Camille Poitevin

Festival organisers & staff ::: Julia Eckhardt, Dries Robbe, Maryia Kamarova, Caroline Profanter, Cis De Gendt, Christel Simons, Ludo Engels

https://www.oscillation-festival.be/2025/

Interview in 'THE FIELD' publication

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Composition for '0684 893630.' a film by Mimi Hope & Ben Galyas presented in 'Beginning to Slip' 14.10–19.11.2023, Shown at Roland Ross Gallery, Margate

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'0684 893 630
Digital film converted from 35mm
7 minutes
2023'

Compositions for art technicians (first 2 of a larger series)

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​four room music at Van Gough House with ​Ute Kanngießer, Luciano Maggiore, Ash Reid, Rory Salter & Ben Victor Waggett

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​Durational performance across four separate rooms of the house.

Photos Exhibited at Centralbanken, Oslo as part of 'Homo Type Theory' Xerox Show, Curated by Eric Schmid

Audial-Optics Workshop & Performance at the San Mei Gallery led by Rory Salter and Ben Victor Waggett

(Photo's taken by B. Victor Waggett, Hand Controller by Milan Tarascas)
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Audial - Optics
Saturday 1st December 2018
Workshop 1pm-4pm
Performance 6pm


Audial-Optics is a one-day sound and visual art workshop culminating in an evening performance at the San Mei Gallery.The workshop will run from 1-4pm and invites attendees to create visual works in response to sounds played throughout the space. There will be three stations set up with materials provided for participants to interact with.

In the evening the gallery will re-open for a performance, in which three improvisers will be invited to reinterpret the visual outcomes of the day's workshop as graphic scores. Resulting in multiple new pieces of now communally composed music.

Contributions for the initial sound piece & performers:

Saskia Hubert (Rites of Unison)
Tom Boutwood (Thomas9000)
Adam Barkley
Mel Azevedo
OHM - MOBBS (MOBBS)
Alex Mckenzie 
Zhao Mi
Ellie Wang
Milan Tarascas
Ben Victor Waggett
Rory Salter

Poster by B. Victor Waggett http://www.victorwaggett.co.uk/
Excerpt from performance:
Excerpt from initial sound piece:

Pacing the Hollow Path - Collaboration with Hesse K

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Cellphen Studi LGSP

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score and sound work

​Le Carnaval des Animaux and Danse Macabre Group Exhibition at San Mei Gallery - Haise Pount

'An evening of interdisciplinary sound, art and performance. The works have been made in response to Le Carnival des Animaux and Danse Macabre, two pieces of music written by the French composer Camille Saint-Sans. Paintings, sound pieces, films, sculptures and performances will navigate the fourteen movements of the light-hearted suites of the carnival and culminate with the symphonic poem of the dance of death. 

The event brings together a broad range of practitioners from across Europe and Asia in one space to mark the start of a new multi-platform venue in south London.' 

- Overture - Haise Pount 
- Introduction & Lion - Haise Pount 
- Hens and Roosters - Joe Highton & Victor Ruiz Colomer 
- Fast Animals - Chanthila Phaophanti 
- Tortoises - Ernie Wang and Rikki Tarascas 
- Elephant - Eleanor Wang 
- Kangaroos - Flora Bouteille and Heloïse Bouteille 
- Aquarium - Kara Chin and William Leach 
- Long Ears - Tom Chisholm 
- Cuckoo - Valerie Kong 
- Aviary - Jezmi Fehmi and Matthew Carey 
- Pianists - Alex Ho and Livia Wang 
- Fossils - Sophie Spedding 
- Swam - Milan Tarascas 
- Finale - 林奕碩 (Lin, I-Shuo) and Rose Ryan 
- Danse Macabre - Teddy Truneh 

Below are some photo's of rehearsals, setting up the exhibition and a link to the sounds created by Haise Pount (myself and Louis Pennington).

Cassette Tape Notebook - Instrument for performances (2017)

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